By Kenneth Womack, William Baker

Victorian novels stay vastly renowned this present day: a few stay made into movies, whereas authors akin to Charles Dickens and George Eliot are firmly tested within the canon and taught in any respect degrees. those works have additionally attracted loads of severe recognition, with a lot present scholarship interpreting the radical on the subject of its historic, political, and cultural contexts. This reference ebook is an introductory advisor to the Victorian novel, its historical past, and its legacy. every one bankruptcy is written through knowledgeable contributor and provides a clean account of earlier, present, and new instructions in scholarship.

The quantity is split into numerous huge sections, with chapters in every one part treating extra really expert themes. the 1st part appears to be like on the emergence of the Victorian novel and its literary precursors, with specific emphasis at the development of serialization and the advance of the radical of syndication. the second one explores major social and cultural points of nineteenth-century British literature, whereas the 3rd discusses the relevant beneficial properties of other genres, resembling ghost tales, the Gothic, detective fiction, the social challenge novel, and modern movie variations. person authors are tested within the fourth part, whereas the 5th overviews a number of serious ways and their software to nineteenth-century fiction.

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Extra resources for A Companion to the Victorian Novel

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Aunt Rosa, a fussy, angular, wild-eyed old lady, who had lived in a tremulous world of bad news, bankruptcies, train accidents, cancerous growths—until the Germans put her to death, together with all the people she had worried about. Age six—that was when he drew wonderful birds with human hands and feet, and suffered from insomnia like a grown-up man. His cousin, now a famous chess player. He again, aged about eight, already difficult to understand, afraid of the wallpaper in the passage, afraid of a certain picture in a book which merely showed an idyllic landscape with rocks on a hillside and an old cart wheel hanging from the branch of a leafless tree.

Akin to mathematicians, the readers of fiction are looking for meanings behind the signs and symbols. By analyzing the writer’s syntax (the study of the way that language is put together from symbols), how might this influence our understanding of the general semantics of art? John N. Crossley: Many mathematicians, including this one, are obsessed with the notion of (abstract) structure. There are two levels (at least) at which we may look at the syntax. For this short story there is the overall structure and then the structure at sentence level.

Hal Ackerman: The likelihood of sustaining this delicate web for the duration of a feature film is slim. A more probable film life for this story would be a 15–20-minute short (for which there would FORUM 17 be no commercial market) made by a film student and shown in festivals. A festival audience would be far more willing and receptive to the quiet tone, the lack of overt larger-than-life action, and the pulled-punch ambiguous ending, all of which inform the essential truth of this story. The cinematic “opening up” would not need to be a gaping yaw, but well-chosen glimpses into the current and past lives of parents and child.

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