By Nicolas S. Witschi
A significant other to the Literature and tradition of the yankee West provides a sequence of essays that discover the historical and modern cultural expressions rooted in America's western states.
Offers a complete method of the wide variety of cultural expressions originating within the westContent:
Chapter 1 Imagining the West (pages 1–10): Nicolas S. Witschi
Chapter 2 Exploration, buying and selling, Trapping, shuttle, and Early Fiction, 1780–1850 (pages 11–28): Edward Watts
Chapter three Worlds of ask yourself and Ambition: Gold Rush California and the tradition of Mining Bonanzas within the North American West (pages 29–47): Peter J. Blodgett
Chapter four The Literate West of Nineteenth?Century Periodicals (pages 48–62): Tara Penry
Chapter five A historical past of yankee Women's Western Books, 1833–1928 (pages 63–80): Nina Baym
Chapter 6 Literary Cultures of the yankee Southwest (pages 81–97): Daniel Worden
Chapter 7 Literary Cartography of the nice Plains (pages 98–114): Susan Naramore Maher
Chapter eight The Literary Northern Rockies because the final most sensible position (pages 115–129): O. Alan Weltzien
Chapter nine North by means of Northwest: The final Frontier of Western Literature (pages 130–144): Eric Heyne
Chapter 10 Chronotopes of the Asian American West (pages 145–160): Hsuan L. Hsu
Chapter eleven African American Literature and tradition and the yank West (pages 161–176): Michael okay. Johnson
Chapter 12 legendary Frontiers: take place future, Aztlan, and the Cosmic Race (pages 177–190): John L. Escobedo
Chapter thirteen Writing the Indigenous West (pages 191–212): Kathleen Washburn
Chapter 14 Framing category within the Rural West: Cowboys, Double?Wides, and McMansions (pages 213–228): Nancy Cook
Chapter 15 Postcolonial West (pages 229–243): Alex Hunt
Chapter sixteen New West, city and Suburban areas, Postwest (pages 244–260): Krista Comer
Chapter 17 What we speak about after we speak about Western artwork (pages 261–280): Brian W. Dippie
Chapter 18 “All Hat and No Cattle”: Romance, Realism, and overdue Nineteenth?Century Western American Fiction (pages 281–296): Gary Scharnhorst
Chapter 19 The Coyote Nature of Cowboy Poetry (pages 297–315): Barbara Barney Nelson
Chapter 20 “The Wind Blew them Away”: Folksinging the West, 1880–1930 (pages 316–335): David Fenimore
Chapter 21 Autobiography (pages 336–352): Gioia Woods
Chapter 22 Housing the yank West: Western Women's Literature, Early 20th Century and past (pages 353–366): Cathryn Halverson
Chapter 23 The Apple does not fall faraway from the Tree: Western American Literature and Environmental Literary feedback (pages 367–379): Hal Crimmel
Chapter 24 Detective Fiction (pages 380–394): Nicolas S. Witschi
Chapter 25 the yank Western movie (pages 395–408): Corey ok. Creekmur
Chapter 26 Post?Western Cinema (pages 409–424): Neil Campbell
Chapter 27 the USA Unscripted: appearing the Wild West (pages 425–442): Jefferson D. Slagle
Chapter 28 Revising Public reminiscence within the American West: local American functionality within the Ramona outdoors Play (pages 443–461): Karen E. Ramirez
Chapter 29 Omnimedia advertising and marketing: The Case of The Lone Ranger (pages 462–482): Chadwick Allen
Chapter 30 The Nuclear Southwest (pages 483–498): Audrey Goodman
Chapter 31 Ranging over Stegner's Arid West: Mobility as Adaptive method (pages 499–513): Bonney MacDonald
Chapter 32 the worldwide West: Temporality, Spatial Politics, and Literary creation (pages 514–527): Susan Kollin
Chapter 33 Tumbling cube: the matter of Las Vegas (pages 528–545): Stephen Tatum and Nathaniel Lewis
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Extra info for A Companion to the Literature and Culture of the American West
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Snelling reminds his readers that “In truth, nothing is more flat and commonplace than their common conversation. They speak with as little circumlocution, and as directly to the point as any people” (p. 5). Cooper’s erasure of the Indians had made such scrupulous attention pointless; by contrast, Snelling’s attention implies a future for Indians and so eastern readers should become familiar with Indians as they are, not as they have been (mis-)represented. ” It centers on the fur trade war between the Hudson’s Bay Company and the Northwest Fur Company prior to their amalgamation.
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