By Alfred Bendixen, James Nagel
A better half to the yank brief tale lines the improvement of this flexible literary style over the last 2 hundred years.Sets the fast tale in context, being attentive to the interplay of cultural forces and aesthetic principlesContributes to the continued redefinition of the yank canon, with shut cognizance to the achievements of ladies writers in addition to such very important genres because the ghost tale and detective fictionEmbraces assorted traditions together with African-American, Jewish-American, Latino, Native-American, and local brief tale writingIncludes a piece excited about particular authors and texts, from Edgar Allen Poe to John Updike
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Additional info for A Companion to the American Short Story (Blackwell Companions to Literature and Culture)
I With the preceding general background in mind, we may turn to Poe’s shift from poetry to experimentation with short stories. Once he left West Point in 1831 and traveled south to reside in Baltimore with his Grandmother Poe and her family, the young writer must have undertaken what in today’s academic world would amount to an independent study course in the writing of short stories. The preceding comments by Spiller and Jones suggest that Poe looked to well-established models when he ventured to write short fiction.
Revealing the murder and its perpetrator. Poe’s protagonists usually move relentlessly into emotionalintellectual isolation. “The System of Dr. Tarr and Professor Fether” and “Hop-Frog” are also stories in which human-animal characteristics are delightfully ambivalent. Poe’s creative writings often leave readers thinking that they have confronted an enigma, so we may well wonder if, in considering another story, “The Murders in the Rue Morgue,” we should think of the orangutan as merely an unusual type of murderer, or whether we witness a symbolic construct of human-animal-sexual impulses.
Hereinafter, the Mabbott edition will be cited parenthetically within my text as CW. All citations to/quotations from Poe’s poems and short fiction are to this edition. For Poe’s critical writings I cite Thompson, ed. Edgar Allan Poe: Essays and Reviews; hereinafter 4 5 6 7 8 cited parenthetically within my text as E&R. ” Notable exceptions to those who overlook Gothic antecedents for detective fiction are Murch, The Development of the Detective Novel, 27–36; and Greene, John Dickson Carr, 97–8, 109.